closing sequence

  •  memory
  • vengence / revenge 
  • love 
  • death 

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opening scene

 leonard on sammy: it is a mental and not physical he has a wife  the wife had diabetes  sammy killed his wife  sound: violin string cortet - end of a film? slow tempo - commemoration and meaning (for the killing) diegetic camera click - hyper real suspenceful music sound og gun and bullet sound of moment reversing  mise en scene: polaroid camera gun nice clothes from dodd editing: reverse motion - signifys his memory - confusing for the spectator  sped up - takes it out of reality and so you can't trust it performace: cool and collected - displays the rutene of killing  teddy screaming  focased on the polaroid - obsessed and stuck in - obsession with time  editing- reverse and sped up  narrative - on linear cyclical structure  sound - volin sging cortet - unorthodox for the begining for a begining of a film 
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experimental film

themes and ideas boundries film form  active spectatorship demanded goes against conventions strongly provokes certain feelings  themes: identity: being shot  wife dying  no memory  But being a husband vengeance and crime: for his wife  for himself  for his memories memories: of things around him  of who he is  of what happened after the event  time frames: black and white is in chronological order Colour is the more clearer moment for lenny
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 opening sequence: styistic inovation editing- reverse and sped up  narrative - non-linear cyclical structure  sound - violin string cortet - unorthodox for the beginning of a film  Stylistic innovation is a driving factor in the reason why Memento is such an impactful film, from the themes to the film form, it displays a multitude of ventures for conveying its innovative messages. Editing is utilised by Nolen as a means of taking the audience out of reality and truly emphasising the features and genre of experimental film. One way this is done is through the use of reverse style editing - this allows the audience to feel disconnected with the opening of the film and introduces the film as something that is confusing and thought-provoking. The reverse allows for the context of the scene to be wrapped and leaves the audience with an initial intrigued disposition to the protagonist. This is reflected in the rest of the film when Nolan continues to throw the spectator o...
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